A Separation

The emotions in “A Separation” are universal. Asghar Farhadi’s film gets at the harsh reality of everyday life. It’s enthralling, urgent, complex, saddening and one of the best films of the year.

I’m still too young to know how painful a divorce can be. I’ve also never lived in Iran, nor have I been so devoutly religious that I let a fear of sin dictate my actions.

But the emotions in “A Separation” are universal. Asghar Farhadi’s film gets at the harsh reality of everyday life. It’s enthralling, urgent, complex, saddening and one of the best films of the year.

“A Separation’s” first hard truth is that a broken marriage never just affects two parties. Nader (Peyman Moadi) and Simin (Leila Hatami) are a middle-class couple living in Iran with their 11-year-old daughter Termeh (Sarina Farhadi). They’re comfortable and care for each other, but Simin knows they can be better off and wants to move. Nader won’t budge because his father (Ali-Asghar Shahbazi) is suffering through Alzheimer’s. Because the two must each go their separate ways, Simin files for divorce in a gripping opening sequence done in one shot.

Both are right, both are caring individuals for their family, and both are stuck at an impasse. With Simin gone, Nader hires Razieh (Sareh Bayat) to work as a nurse. Razieh has her young daughter Somayeh (Kimia Hosseini) and has another on the way, so she desperately needs what little money Nader can now offer as a single parent. Continue reading “A Separation”

Oscars 2012: Will Win (Part 1)

See my remaining picks in the major categories here.

Movies are an art, not a science. And yet The Academy, save for a few eye rolling hiccups each year, operates like clockwork. Predicting the winners at the Oscars is as simple as playing the horses at the track, so here’s your betting form for the big race on Sunday night.

Best Adapted Screenplay

The Descendants: 40%

“The Descendants” is bound to win something, and because it’s a screenplay that greatly differs from the source material and comes from a director and screenwriter who hasn’t put out a movie in six years, it’s looking more and more certain.

Moneyball: 30%

“Moneyball” is a serious contender in this category for the way in which it adapts a fact based, nonfiction book into a story with likeable and pathos filled characters. It also comes from last year’s winner, Aaron Sorkin and other Oscar fave Steven Zallian.

Hugo: 20%

“Hugo” isn’t exactly a writer’s movie, but Brian Selznick’s children’s book is surprisingly rich and colorful, and somehow John Logan tops it.

Tinker, Tailor, Soldier, Spy: 5%

The Ides of March: 5% Continue reading “Oscars 2012: Will Win (Part 1)”

Oscar Homework

The uninitiated movie goer treats the Best Picture nominees at the Oscars as the must-see list of the year. But this year, that audience might be disappointed with “The Help” and “Extremely Loud and Incredibly Close” and confused, if not frustrated with “The Artist” and “The Tree of Life.”

So for those of you looking to get acquainted with this year’s Oscar nominees and the potential winners, here’s a bit of Oscar homework due promptly before the ceremony on Sunday, February 26.

Don’t worry; doing this won’t feel like a chore.

1. Beginners – Nominated for Best Supporting Actor Christopher Plummer Continue reading “Oscar Homework”