Rapid Response: Witness for the Prosecution

Billy Wilder’s “Witness for the Prosecution” is an outrageous, silly and over-the-top courtroom drama that likely would blow up in its own face were it not based on an Agatha Christie play. And boy does it work.

It stars Charles Laughton in one of his best roles, a blow hard of a barrister in the English courts just getting out of the hospital, but not without a singing sense of humor and dry bout of cynicism. His constant disdain towards his nurse insisting that he not work, drink or smoke is one of the film’s great charms.

His job is to defend the innocent inventor Leonard Vole (Tyrone Power), who has been accused of murder of an elderly widow. She recently changed her will to leave everything to him, and although he constantly plays the naive fool as to how serious of trouble he is or how much his German wife Christine (Marlene Dietrich) will actually defend him, he’s a cool, confident and likeable character. He’s portrayed by one of Hollywood’s former boy toys, Tyrone Power. In this 1957 film, he was 43 and died a year later, but he had boyish good looks that landed him in numerous blockbuster A-pictures of the time. “Witness for the Prosecution” even gets cute with this when Power is seen watching “Jesse James,” the title character serving as one of his most notable roles.

And being a play, the film is almost entirely courtroom drama. There are only a few scene changes and all the extended courtroom sequences are handled with an enticing pace and levity.

But the ending surely makes the film famous. Just before and following the verdict, “Witness for the Prosecution” has more twists and turns than a pretzel, and all of them are deliciously absurd. The performances Laughton, Power and Dietrich especially are rightfully over the top and accommodate these more idiotic moments nicely.

The film was nominated for Best Picture that year, and it certainly isn’t as good as the winner “The Bridge on the River Kwai” or the fellow courtroom drama nominee “12 Angry Men.” It also arguably isn’t one of Billy Wilder’s best but it’s an enjoyable classic film with a great cast and fun story.

The Night of the Hunter (1955)

Charles Laughton’s one and only film “The Night of the Hunter” is an all time classic.

One of the greatest of all American directors only made one film in his career. Charles Laughton made “The Night of the Hunter” in 1955 after a long and reputable career as an actor, only to see his film fail financially and be critically misunderstood. Laughton died seven years later, but today his film is seen as a true cinematic achievement.

It’s story is not completely unique, but it is a fine example of a film that bends genres, that escapes confines of time and reality without distancing itself from something relatable and that endures in its quality and impact.

Robert Mitchum plays the film’s iconic villain, the “preacher” Harry Powell. Powell claims to be a man of God, walking around with the words “love” and “hate” tattooed on his fingers to illustrate the Lord’s way of governing mankind. When he meets Ben Harper (Peter Graves) in prison and learns that Ben hid $10,000 somewhere on his property, he believes it to be a message from God.

But the secret location of the money is hidden with Ben’s two children, John and Pearl. They’ve pledged an oath of loyalty to their now executed father to protect one another and never reveal the location of the money to anyone. When Powell tracks down the family and marries their widowed mother Willa (Shelley Winters), “The Night of the Hunter” becomes a suspenseful tale of faith and trust.

It’s a brilliantly conceived thriller with a minimal concept. One party is loved and trusted by everyone else, and the other is uncertain with no one who will listen or believe. This was hardly a new concept and far from the last of its kind. But “The Night of the Hunter” models Roger Ebert’s adage that a film is not what it is about but how it is about it. Continue reading “The Night of the Hunter (1955)”