Ghostbusters (2016)

Ghostbusters Poster 2016Turns out all those misogynistic Internet trolls were really worrying for nothing. Paul Feig’s “Ghostbusters” hardly remakes the original comedy classic and instead invents new characters and themes to serve the same concept. The fan service may even be the film’s weakest aspect. And guess what nerds? The girls in this movie are pretty funny after all.

Rather than try and fail to recreate Dr. Peter Venkman and company with a younger cast or with women, gone are Venkman’s playboy charms, his slacker attitude and his sarcastic one-liners that only Bill Murray can do. Instead, Feig’s All-Female “Ghostbusters” finds ways for women to be funny in the way they do best. Feig plays to the strengths of Kirsten Wiig, Melissa McCarthy, Kate McKinnon and Leslie Jones. Wiig plays equal parts awkward, timid and crazy as she would on SNL. McCarthy has the aggressive boisterousness and physical comedy necessary for such a wacky story. Jones gives the film a much needed black presence and down to Earth, angry attitude. And McKinnon proves to be the true breakout, a real weirdo constantly wearing a fiendish smirk, raised eyebrows, hair gone awry and a sense of mystery in her voice. She honestly might be possessed by a ghost. Continue reading “Ghostbusters (2016)”

The Secret Life of Walter Mitty

“The Secret Life of Walter Mitty” is a paint-by-numbers spectacle with manufactured profundity.

“The Secret Life of Walter Mitty” is a family friendly movie about dreaming big, acting spontaneous and being adventurous. That it has a patterned, scientific, literal mindedness to its approach is part of this perfectly coifed film’s problem. Ben Stiller has made a film where the magic and the life lessons are all paint by numbers.

Walter Mitty (Stiller) as described here and in James Thurber’s famous short story from 1939 is a daydreamer, constantly getting lost in the clouds with fantasies of rescuing puppies in a burning building for the girl of his dreams (Kirsten Wiig) or having an epic, super power driven fight with his boss (Adam Scott).

But his real life involves processing film prints for the dying Life magazine, and he finds himself unable to think of anything he’s done notable or interesting as he fills out an online dating profile. When the prized photo intended for the cover goes missing, he sets off on a quest to track down its elusive photographer (Sean Penn). Continue reading “The Secret Life of Walter Mitty”