Safety Not Guaranteed

“WANTED: Someone to go back in time with me. This is not a joke. You’ll get paid after we get back. Must bring your own weapons. I have only done this once before. SAFETY NOT GUARANTEED.”

This real-life classified ad is the setup to the indie comedy “Safety Not Guaranteed,” but the important part is, “This is not a joke.”

The three magazine journalists who decide to report on the man behind this ad aren’t necessarily joking either, but they don’t entirely believe it, and that’s where the movie gets us. Derek Connolly’s screenplay in Colin Trevorrow’s film plays with our expectations by setting up a scenario that can’t and probably shouldn’t be true, and yet one that we kind of root for. Continue reading “Safety Not Guaranteed”

Punch-Drunk Love

Paul Thomas Anderson’s “Punch-Drunk Love” is so much more than an “Art House Adam Sandler Movie.”

Most movies are pretty surreal when you think about them. When you’re watching a formulaic romantic comedy for instance, you suspend some disbelief and know that everything that happens is a little strange.

So for Paul Thomas Anderson to make a genre picture with Adam Sandler but call attention to just how odd a movie can be, he’s really making a more realistic, elegant and beautiful movie than anything Adam Sandler would usually star in.

“Punch-Drunk Love” has been generously referred to as “The Art House Adam Sandler” movie, and since its release in 2002, it’s used that label to justify its cult appeal. It’s become a favorite PTA film for most of his fans, displaying all the life and gravity of “There Will Be Blood” with the charms of “Boogie Nights.” Continue reading “Punch-Drunk Love”