I have no interest in making a year end list that speaks to life under Donald Trump or that reflects the cultural consciousness of 2017.
These are among the more tiring of critical, shorthand cliches for summing up the year in movies. And bold-faced political films like “Get Out” and Americana rich dramas like “Three Billboards” and “The Florida Project” all perform very well in that context. But I don’t want to read the analysis for what “The Shape of Water” has to say about healthcare any more than I want to pretend as though that’s how I shaped my list.
The other cliche is the critic who wants to recommend as much as possible. News flash: there are a lot of good movies readily available at your fingertips, but you know as well as I do that there are only so many hours in the day. Critics often bemoan these lists as pointless and would rather devote their column inches to movies that won’t appear elsewhere. But if I can be the umpteenth person to say you should really see “Lady Bird,” hey, maybe you should really see “Lady Bird.”
So here’s what I’ve come up with instead: the movies on my Best of the Year List are ranked based on what I’d most want to watch again right now. And in my book, there are about 18 truly great movies I saw in 2017 that stand above the rest. These are the ones I’ve most wanted to tell people to see, the ones that have lingered in my mind for weeks and months and have made me want to revisit them. Isn’t that enough? Continue reading “The Best Movies of 2017”
It’s a creation myth! It’s about how men gaslight women! It’s about climate change! It’s a bizarre human comedy! It’s a crazed mix of Luis Bunuel, Rosemary’s Baby,