Earlier this year, “This is the End” served as something of a finale on the man-child comedies that have defined the last 10 years or so of Hollywood comedies. It did so in such spectacularly silly fashion that it seemed as though no movie again should try and top it.
“The World’s End” too marks a different conclusion. It’s the last in the Cornetto Trilogy, a series of Edgar Wright parody films that started with “Shaun of the Dead,” continued with “Hot Fuzz” and took a break during “Scott Pilgrim vs. The World.” Writers and stars Simon Pegg and Nick Frost along with Wright branded a completely new approach to the parody film, one that was slick, stylish and action heavy.
But like “This is the End,” the juvenile fun and spastic, hyper kinetic style seems to be behind Wright, Pegg and Frost. The characters in “The World’s End” are more mature, the consequences and emotions are more genuine, and the film seems less like an homage to apocalyptic movies and more like a heartfelt throwback.
Pegg plays Gary King, a wonderfully soliloquizing pack leader trapped in his teenage glory days. In an AA meeting, he reflects upon an epic bar crawl from his last day of high school: 12 pubs, 12 pints, but one he never finished. He now seeks to return home and finish the quest with four of his old mates, all of whom have matured and settled into comfy jobs and families while he’s kept his old car, cassette player and selective memories.
He’s completely glossed over a harrowing accident that almost killed his best friend Andy (Frost), one that’s never shown but only hinted at as the group gets drunker and more candid. Continue reading “The World's End”
