“Rain Man” has not aged well. It was revolutionary when it came out in 1988. Few movies were truly talking about disabilities, and few had as ambitious of a performance as Dustin Hoffman’s in portraying a character, let alone someone other than a background supporting character, with autism.
But since then, the culture has evolved in its awareness of disabilities. The best films about disabilities make their characters defined by things other than their afflictions. They show disabilities in everyday life.
Hoffman’s Raymond Babbitt is not precisely defined by his disability, but the film uses him as a means for a plot. “Rain Man” is entirely focused on whether or not autism has misconceptions surrounding it and if someone can form a relationship with a person who cannot express their feelings in the same way society understands. It uses him like a trick dog, testing his ability at the card table or with a calculator (now a cliche ripe for parody, along with him riding down the escalator in a suit) only for the payoff that “special people” aren’t just “bad special.” Continue reading “Rapid Response: Rain Man”