Video games in movies need a reboot

There’s a nerdy loner sitting in the dark explaining how he’s “really into computers.” We watch him manhandle a control, pressing a million buttons at once in no specific way, and the sound effects we hear are random bleeps and bloops before some deep, ominous voice says “Game Over.”

This is how Hollywood sees the average video gamer.

Video games as they are depicted in the movies are horribly dated representations based on clichés from the ‘80s that in no way resemble the way modern video games look and feel. In the 30 years since games started becoming a subject of movies, most games have evolved to a point where they could and should be called art. The media however still views them as a joke.

Suffice it to say, a movie like Disney’s “Wreck-It Ralph” will not convince many adults that games are for people other than kids. It’s a movie that attracted a lot of attention in the gaming community by essentially being “Toy Story” for video games and for being jam-packed with Easter Egg references to cult favorites. But it’s a sugar coated story about being yourself that has more scenes of animated movie chaos than simulated levels that would provide depth and understanding about games. Continue reading “Video games in movies need a reboot”

Does the cult film still exist?

The definition of a cult film has changed from the ’70s to today to simply mean something nerdy that’s underrated and under the radar.

 

A look inside the IU Cinema Saturday night may have convinced you that the cult film is alive and well.

A sold out audience sat in rapt attention of Stanley Kubrick’s Orwellian mind-bender “A Clockwork Orange.” As the first ever midnight showing at the IU Cinema, this audience had perhaps never seen a film not only as lavish, colorful and alive in cinematic spectacle but also as ironically sadistic.

This is a polite way of saying there is no director alive today like Stanley Kubrick and no cult film that represents what his films once did.

The definition of the cult film has changed along with the industry. For a movie to have achieved cult status in 1971 when “A Clockwork Orange” was released, it needed to build its fan base almost exclusively through midnight shows. Controversial art films like Kubrick’s X-rated masterpiece were quickly pulled from first run theaters and received the most attention on college campuses. Continue reading “Does the cult film still exist?”